Is Tearmoon Empire worth reading?
A guillotine, a diary and a princess who is nowhere near as clever as her empire believes. Here is what readers make of the joke.
What it is
Is Tearmoon Empire worth reading? Most people asking already know the hook, because the hook is the subtitle of the web novel. Tearmoon Empire (ティアムーン帝国物語 ~断頭台から始まる、姫の転生逆転ストーリー~) starts at the guillotine. Mia Luna Tearmoon, the spoiled princess of the Tearmoon Empire, is executed after a revolution, wakes up eight years younger with her prison diary in hand, and decides that the only thing she wants from her second life is to not be executed again. She isn't a genius. She is a frightened, selfish, occasionally kind girl, and everyone around her mistakes her cowardice for wisdom. Tone is comedy first, court politics second.
What readers love
The misunderstanding engine. Mia acts out of self-interest or panic, the people around her read it as a masterstroke, and the narrator refuses to play along with either side. Readers say the joke doesn't wear out, which is rare for a single-joke premise. They also love the narrator itself, a dry voice that comments on the princess's thinking and occasionally on the readers'. And a surprising number talk about the food: Mia's appetite is a running gag that turns into a character trait.
What divides them
Whether she grows. One camp reads her as changing, one small act of decency at a time, and finds the later arcs moving. The other camp thinks the book keeps telling us she hasn't changed while letting her be admirable anyway, and finds that a cheat. The other split is length: the web novel is very long, and readers who loved the first stretch sometimes say the middle drifts. The J-Novel Club edition is well ahead of the manga, so readers who start with the comic get told to switch.
Is Tearmoon Empire worth reading if you dislike villainess stories?
The two camps agree on one thing without meaning to: this is not really a villainess book, even though it wears the costume. Mia is never scheming against a heroine; she is scheming against a calendar. The comedy works because the narrator keeps score honestly, so every time the court crowns her a sage we know exactly how much of the credit is hers, which is usually about a third. And the reason readers keep going is that the third keeps growing.
For readers who want a warm, funny loop story where the joke is on the lead and the lead is loved anyway. Not for readers who want a competent heroine or real villainy.
Based on reader reviews; we'll write our own once we've finished it.
If you enjoy it, support the author where it's published: Syosetu. Licensed English edition: J-Novel Club.
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